Searching the World's top universities for courses with:

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Stanford (X)
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Art History (X)
true *,score on 1 0 department:"Art History" source:"Stanford" AND 2.2 25
Total results: 10

Stanford - Art of Pilgrimage and Crusade (ARTHIST 306A)

Focus is on the artistic production of Mediterranean 12th-13th centuries exploring the phenomena of pilgrimage and Crusade. The rise of the Normans; the establishment of the pilgrimage to Santiago de Compostella as part of the Reconquista of Spain; the Crusader capture of Jerusalem in 1099 and the subsequent formation of Crusader states in the eastern Mediterranean; the rise of the Ayyubids and the emergence of the Italian city-state trade. The interconnection between the rise of narrative and conquest; the emergence of monumental sculpture; and the clash between tactile and optical visuality.
Score: 9.791342 Details | Listing | Web page

Stanford - Introduction to the Visual Arts

Multicultural rather than historical approach. WIM
Score: 9.791342 Details | Listing | Web page

Stanford - Asian Art and Culture (JAPANGEN 60)

The religious and philosophical ideas and social attitudes of India, China, and Japan and how they are expressed in architecture, painting, woodblock prints, sculpture, and in such forms as garden design and urban planning.
Score: 9.791342 Details | Listing | Web page

Stanford - Introduction to the History of Architecture

From antiquity to the 20th century, mostly Western with some non-Western topics. Buildings and general principles relevant to the study of architecture.
Score: 9.791342 Details | Listing | Web page

Stanford - Student Guides at the Cantor Center for the Visual Arts

Open to all Stanford students. Introduction to museum administration; art registration, preparation, and installation; rights and reproductions of images; exhibition planning; and art storage, conservation, and security. Skill building in public speaking, inquiry methods, group dynamics, theme development, and art-related vocabulary. Students research, prepare, and present discussions on art works of their choice.
Score: 9.791342 Details | Listing | Web page

Stanford - Archaic Greek Art (ARTHIST 301, CLASSART 101, CLASSART 201)

The development of Greek art and culture from protogeometric beginnings to the Persian Wars, 1000-480 B.C.E. The genesis of a native Greek style; the orientalizing phase during which contact with the Near East and Egypt transformed Greek art; and the synthesis of East and West in the 6th century B.C.E.
Score: 9.791342 Details | Listing | Web page

Stanford - Classical and 4th-Century Greek Art (ARTHIST 302, CLASSART 102)

The formation of the classical ideal in 5th-century Athenian art, and its transformation and diffusion in the 5th and 4th centuries against changing Greek history, politics, and religion.
Score: 9.791342 Details | Listing | Web page

Stanford - Introduction to Medieval Art (ARTHIST 305)

Chronological survey of Byzantine, Islamic, and Western Medieval art and architecture from the early Christian period to the Gothic age. Broad art-historical developments and more detailed examinations of individual monuments and works of art. Topics include devotional art, court and monastic culture, relics and the cult of saints, pilgrimage and crusades, and the rise of cities and cathedrals.
Score: 9.791342 Details | Listing | Web page

Stanford - Byzantine Art and Architecture, 300-1453 C.E. (ARTHIST 306)

Art-historical developments, and monuments and works of art. Topics include: the transition from naturalism to abstraction; imperial art and court culture; pilgrimage and cult of saints; and secular art and luxury objects.
Score: 9.791342 Details | Listing | Web page

Stanford - Art of Pilgrimage and Crusade (ARTHIST 306A)

Focus is on the artistic production of Mediterranean 12th-13th centuries exploring the phenomena of pilgrimage and Crusade. The rise of the Normans; the establishment of the pilgrimage to Santiago de Compostella as part of the Reconquista of Spain; the Crusader capture of Jerusalem in 1099 and the subsequent formation of Crusader states in the eastern Mediterranean; the rise of the Ayyubids and the emergence of the Italian city-state trade. The interconnection between the rise of narrative and conquest; the emergence of monumental sculpture; and the clash between tactile and optical visuality.
Score: 9.791342 Details | Listing | Web page

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