| source Yale (X) |
level |
department History of Art (X) |
MW 2.30-3.45 Fall 2009 No regular final examination Areas Hu Permission of instructor required
Score: 9.873315 Details | Listing | Web page
Fall 2009 Final exam scheduled (Group 34) 12/17/2009 Th 9.00 Areas Hu Form as meaning in architecture, sculpture, and painting. Selected studies in these arts from prehistory to the Renaissance. Source readings in translation.
Score: 9.873315 Details | Listing | Web page
MW 11.35-12.25 Fall 2009 Areas Hu
Score: 9.873315 Details | Listing | Web page
MW 2.30-3.45 Fall 2009 Final exam scheduled (Group 37) 12/18/2009 F 2.00 Areas Hu Study of three ancient cities buried by volcanic eruptions - Thera in c. 1530 B.C. and Pompeii and Herculaneum in A.D. 79 - with emphasis on their architecture, wall paintings, and small finds in cultural and historical context.
Score: 9.873315 Details | Listing | Web page
MW 11.35-12.50 Fall 2009 Final exam scheduled (Group 34) 12/17/2009 Th 9.00 Areas Hu
Score: 9.873315 Details | Listing | Web page
TTh 9.00-10.15 Fall 2009 No regular final examination Areas Hu The great buildings and engineering marvels of Rome and its empire. Study of city planning and individual monuments and their decoration, including mural painting. Emphasis on developments in Rome, Pompeii, and central Italy; survey of architecture in the provinces.
Score: 9.873315 Details | Listing | Web page
Fall 2009 No regular final examination Areas Hu A thematic survey of Italian art between c. 1300 and 1550. Topics might include art and eros, art and devotion, picturing the scientific revolution, and Renaissance art in New Spain. Class meetings are held in Yale campus collections.
Score: 9.873315 Details | Listing | Web page
TTh 1.30-2.20 Fall 2009 Final exam scheduled (Group 26) 12/15/2009 T 2.00 Areas Hu Painting, prints, sculpture, and architecture in the Netherlands, Germany, France, and England. Topics include art and popular piety; the impact of the mechanical replication of images; the crisis of the religious image in the Protestant Reformation; the development of the modern art market and art collecting; art as a vehicle for topical commentary on political and social reality; art and the emergence of the modern state; the idea of the artist as ?author.? Major artists considered include Jan van Eyck, Albrecht Dürer, Hieronymus Bosch, and Pieter Bruegel.
Score: 9.873315 Details | Listing | Web page
MW 10.30-11.20 Fall 2009 Final exam scheduled (Group 33) 12/18/2009 F 9.00 Areas Hu European art produced between the French Revolution and the beginning of the twentieth century. Focus on French painting, with additional discussion of Spanish, English, and German art. Some attention to developments in photography, printmaking, and sculpture.
Score: 9.873315 Details | Listing | Web page
MW 1.30-2.20 Fall 2009 Final exam scheduled (Group 36) 12/14/2009 M 2.00 Areas Hu Changes in Hollywood narrative, form, and industrial structure from 1975 to the present. Ways in which media conglomeration and technologies such as video and digitalization affect genre and style. Films include
Score: 9.873315 Details | Listing | Web page
TTh 1.00-2.15 Fall 2009 No regular final examination Areas Hu Introduction to the Japanese painting and print traditions that inform Western modernism. Definition of specific formats, approaches, styles, and transitions. Paintings and prints as artifacts and as imaginative spaces in which social and cultural meanings unfold and can be analyzed in comparative perspective.
Score: 9.873315 Details | Listing | Web page
TTh 11.35-12.50 Fall 2009 Final exam scheduled (Group 24) 12/15/2009 T 9.00 Areas Hu The rise, development, and philosophic achievement of the world of New York mambo and salsa. Emphasis on Palmieri, Cortijo, Roena, Harlow, and Colón. Examination of parallel traditions, e.g., New York Haitian art, Dominican merengue, reggae and rastas of Jamaican Brooklyn, and the New York school of Brazilian capoeira.
Score: 9.873315 Details | Listing | Web page
MW 10.30-11.20 Fall 2009 Final exam scheduled (Group 33) 12/18/2009 F 9.00 Areas Hu The theory and practice of art-making in the Middle East, North Africa, and South Asia from the early years of Islam in the seventh century to the present. Illustrated manuscripts and the arts of calligraphy and ceramics as they pertain to the creation of an Islamic visual culture.
Score: 9.873315 Details | Listing | Web page
MW 2.30-3.45 Fall 2009 Final exam scheduled (Group 37) 12/18/2009 F 2.00 Areas Hu Introduction to the art and architectural history of the Indian subcontinent from the rise of the Mauryan Empire to the building of the Taj Mahal. The development of early Buddhist and Jain art and of Hindu temples and icons; the efflorescence of Islamic visual culture under the Mughal Empire.
Score: 9.873315 Details | Listing | Web page
T 1.30-3.20 Fall 2009 No regular final examination Permission of instructor required A wide-ranging introduction to the methods of the art historian and the history of the discipline. Themes include connoisseurship, iconography, formalism, and selected methodologies informed by contemporary theory.
Score: 9.873315 Details | Listing | Web page
Th 1.30-3.20 Fall 2009 No regular final examination Areas Hu Permission of instructor required Meets during reading period A survey of the techniques and materials employed in Western painting, sculpture, and graphic arts from antiquity to the present. Modern examination techniques analyzed as tools for connoisseurship, dating, and authentication, including study of age, damage, and restoration as they change works of art. General concepts of preservation and conservation.
Score: 9.873315 Details | Listing | Web page
Th 2.30-4.30 Fall 2009 Final exam scheduled (Group 27) 12/17/2009 Th 2.00 Areas Hu Permission of instructor required Study of architectural and sculptural monuments erected in Naples and Campania during the Middle Ages and the Renaissance. The effects of changes in both rulers and cultural traditions over time. The structure of monuments; interactions with other monuments and the built environment; issues of patronage; the construction of personal and social identity.
Score: 9.873315 Details | Listing | Web page
Fall 2009 Areas Hu
Score: 9.873315 Details | Listing | Web page
W 1.30-3.20 Fall 2009 No regular final examination Areas Hu Permission of instructor required Display strategies in Britain from the birth of the ?great exhibition? to the expansion of art into new galleries, domestic and commercial spaces, and periodicals. Events are placed in an international context. Works include oil paintings, sculpture, prints, and decorative art from Yale collections.
Score: 9.873315 Details | Listing | Web page
1 HTBA Fall 2009 No regular final examination Permission of instructor required For students who wish to pursue a subject in the history of art not otherwise covered by departmental offerings. May be used for research or directed reading under faculty supervision. A term paper or its equivalent and regular meetings with the adviser are required. To apply for admission, a student should present a prospectus and a bibliography, signed by the adviser, to the director of undergraduate studies.
Score: 9.873315 Details | Listing | Web page
1 HTBA Fall 2009 No regular final examination Permission of instructor required Preparation of a research paper about thirty pages long under the direction of a qualified instructor. The essay is written in either the fall or the spring term of the senior year, though preferably in the fall term. Students write on subjects of their own choice. During the term before the essay is written, students plan the project in consultation with a qualified instructor or with the director of undergraduate studies. No student is permitted to enroll in HSAR 499a or b without submitting a project statement, with the formal title of the essay and a brief description of the subject to be treated. The statement must be signed by the student?s adviser and presented to the director of undergraduate studies before the student?s schedule can be approved. See the YCPS for deadlines and procedures.
Score: 9.873315 Details | Listing | Web page
HSAR 500 01 (10695) M 1.30-3.20 Fall 2009 This seminar for first-year students, and open only to them, offers an introductory survey of the historiography and methodology of the discipline. Students engage with a wide range of texts written by art historians, artists, critics, and theorists whose work is significant for the contemporary study of art history.
Score: 9.873315 Details | Listing | Web page
HSAR 506 01 (10696) HTBA Fall 2009 Permission of instructor required By arrangement with faculty. History of Art graduate students only.
Score: 9.873315 Details | Listing | Web page
HSAR 512 01 (10697) HTBA Fall 2009 Permission of instructor required By arrangement with faculty.
Score: 9.873315 Details | Listing | Web page
HSAR 514 01 (10698) HTBA Fall 2009 Permission of instructor required
Score: 9.873315 Details | Listing | Web page