| source Northwestern (X) |
level |
department MUS_TECH Music Technology Program (X) |
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page
This course is designed as an introduction to technology for musicians. There are no assumptions about technical understanding. If the only thing you know about the computer is where the on and off switch is, you are in great shape. Even if you are not sure about this, we will help! You should be interested in the issues surrounding computers, synthesizers/samplers, composition/arranging, music printing, and computer-aided instruction (CAI).
Score: 12.822379 Details | Listing | Web page
The course will survey the electronic music repertoire from 1948 through the end of the analog era and the introduction of digital music. The course examines the aesthetic motivations and technical approaches that have shaped electroacoustic music throughout its history, focusing on the interaction between technical innovation and creativity that is the unique province of electronic and computer music. Composers covered include: Pierre Schaeffer, Karlheinz Stockhausen, John Cage, Pierre Henry, Morton Subotnick, and Tod Dockstader.
Score: 12.822379 Details | Listing | Web page
TBA
Score: 12.822379 Details | Listing | Web page