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true *,score on 1 275 source:"Rice" AND 2.2 25
Total results: 4777

Rice - HART 349 - TRENDS IN CONTEMPORARY ART

HART 349 - TRENDS IN CONTEMPORARY ART Credits: 3 This seminar will map the terrain of contemporary art as it has developed in the wake of political and theoretical engagements of the 1990's. For many critics, Contemporary Art practice has given way to the worst aspects of spectacular culture losing sight of the political, theoretical, and artistic rigor that characterized the historical and neo-avant-garde. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 350 - FASCISM, TOTALITARIANISM AND RETURNS TO ORDER

HART 350 - FASCISM, TOTALITARIANISM AND RETURNS TO ORDER Credits: 3 This introductory seminar will examine the response by artists, architects, critics, and filmmakers to fascism, protofascism, and totalitarianism in Europe from 1905 to 1945. Particular attention will be paid to the differing ways in which authoritarianism becomes manifest in the specific cultural and historical conditions of France, Germany, Italy, the Soviet Union, and Spain, and the ways in which antimodernist artistic production in turn responds to this specificity. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 351 - NINETEENTH CENTURY ART IN EUROPE

HART 351 - NINETEENTH CENTURY ART IN EUROPE Credits: 3 Exploration of the major developments in painting and sculpture from late 18th century neoclassicism and romanticism through realism, impressionism, and post-impressionism. Include architecture, photography, and decorative arts. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 352 - TWENTIETH CENTURY ART IN EUROPE

HART 352 - TWENTIETH CENTURY ART IN EUROPE Credits: 3 Exploration of major developments in painting and sculpture from the 1880s to the 1940s. Includes impressionism and post-impressionism, expressionism, cubism, abstraction. Dada, and surrealism, with a brief consideration of architecture and photography. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 353 - ART AND ARCHITECTURE IN THE AGE OF REVOLUTIONS (1725-1875)

HART 353 - ART AND ARCHITECTURE IN THE AGE OF REVOLUTIONS (1725-1875) Credits: 3 This course will consider the key artistic and architectural movements and styles in Europe from Rocco to Impressionism. We will also look at major theoretical development in those years in art, architecture, and city planning. Finally, we will take into account momentous political developments, especially revolution, and the threat of revolution, which affected and were in turn affected by, cultural production. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 354 - AGE OF ROMANTICISM IN EUROPE

HART 354 - AGE OF ROMANTICISM IN EUROPE Credits: 3 This course will consider the emergence and flourishing of Romanticism in the visual arts in Europe. We will consider artists from France, Germany and Britain, including Eugene Delacroix, J.M.W. Turner, John Constable and Caspar David Friedrich. We will combine study of paintings with readings of contemporaneous philosophers and writers, including Hegel and Byron. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 355 - JACQUES-LOUIS DAVID: REVOLUTION

HART 355 - JACQUES-LOUIS DAVID: REVOLUTION Credits: 3 This class will consider the painting of Jacques-Louis David with particular reference to the ideas of revolution. This seminar will combine close reading and looking, using primary and secondary readings to explore issues of classicism, politics, eroticism, and aesthetics in the work of this central figure in art history. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 356 - ART IN THE VANGUARD: VISUAL CULTURE AND RADICAL POLITICS, 1800-2005

HART 356 - ART IN THE VANGUARD: VISUAL CULTURE AND RADICAL POLITICS, 1800-2005 Credits: 3 This seminar will consider the relationship between visual culture, history and radical politics, looking closely at art as a means of political and ideological resistance and persuasion. Ranging from the 19th to the 21st century, we will consider various strategies of creating politically radical art, looking at the work of Daumier, Courbet, John Heartfield and others. We will also look at the impact of Marxism on art historians, critics and philosophers, including Benjamin, Adorno and Althusser. Finally, we will examine divergent governmental views of art, including the Nazi conception of "Degenerate Art", the fate of modern art in the Soviet Union and the influence of anti-communism on the visual culture of the United States. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 357 - CONSTABLE AND TURNER

HART 357 - CONSTABLE AND TURNER Credits: 3 This seminar will explore critical issues surrounding the careers of John Constable and J.M.W. Turner, arguably the greatest landscape painters of the early 19th century. We will look at both similarities and differences in the work of these two rivals, while considering their work in the context of great historical change in England. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 358 - IMPRESSIONISM AND POST-IMPRESSIONISM

HART 358 - IMPRESSIONISM AND POST-IMPRESSIONISM Credits: 3 This class will explore painting in France from approximately 1865 to 1900. Mixing lectures and classroom discussion, we will focus on individual artists including Claude Monet, Edgar Degas, Mary Cassatt, Georges Seurat, Vincent van Gogh, and Paul Czanne. We will also consider and discuss a set of critical issues surrounding these painters, including the politics of gender and class within the changing urban setting of Paris. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 359 - ISSUES IN EARLY MODERNISM: FAUVISM TO EXPRESSIONISM

HART 359 - ISSUES IN EARLY MODERNISM: FAUVISM TO EXPRESSIONISM Credits: 3 This course will explore painting, sculpture, and architecture in Europe, 1900-1925. We will consider mainstream European formalist modernism in movements like Fauvism and Cubism, considering critical issues around masters including Matisse, Picasso and Mondrain, as well as the continuing figurative tradition in the work of artists like Kirchner and Beckmann. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 360 - AMERICAN ARCHITECTURE AND DECORATIVE ARTS BEFORE 1900

HART 360 - AMERICAN ARCHITECTURE AND DECORATIVE ARTS BEFORE 1900 Credits: 3 Major topics will include the furniture styles of early America, the architecture of colonial cities, the life, thought, and architectural ideas of Thomas Jefferson, urban design and building projects in Washington, D.C., and other U.S. cities, and domestic life and interior design in 19th century America. Cross-list: ARCH 360. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 362 - LATE MODERN ART: 1945 - PRESENT

HART 362 - LATE MODERN ART: 1945 - PRESENT Credits: 3 This course introduces the major developments, key figures and significant works of late Modernism. Covering a period from roughly 1945-Present, we will trace modernism's unfolding in the avant-garde practices of the 2nd half of the 20th century. Beginning with the shift from Paris to New York as the cultural center of the avant-garde, the rise of Abstract Expressionism & its divided legacies. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 363 - HISTORY OF PHOTOGRAPHY

HART 363 - HISTORY OF PHOTOGRAPHY Credits: 3 Roland Barthes described the emergence of photography in the early nineteenth century as an "anthropological revolution in man's history," a "truly unprecedented type of consciousness." This lecture class aims to examine this proposition by examining the history of photography in the nineteenth century as it develops within a number of specific thematics, from the medium's conception in the late 18th century through to debates in the 20th century about photography's relationship to artistic and social issues. The structure of the class will allow for individual sessions to combine a formal, illustrated presentation with some detailed discussion of particular images and texts. Taken as a whole, the class will look at photography as a cultural phenomenon as much as an art form, critically studying the various discursive arenas that this new medium helped to foster and redefine. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 364 - STUDIES IN AMERICAN ART FROM THE COLONIAL ERA TO THE ARMORY SHOW

HART 364 - STUDIES IN AMERICAN ART FROM THE COLONIAL ERA TO THE ARMORY SHOW Credits: 3 This course will examine a range of topics in U.S. art from the colonial era to circa 1910. Some themes to be addressed include representations of landscapes and their relation to American culture nationalism; social realism vs. modernist abstract images; and representations of gendered subjectivity in American visual culture. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 365 - GENDER, SUBJECTIVITY, AND THE HISTORY OF PHOTOGRAPHY

HART 365 - GENDER, SUBJECTIVITY, AND THE HISTORY OF PHOTOGRAPHY Credits: 3 This course will examine a range of subjects within the history, theory, and criticism of photography, including the relationship between commodification, eroticism, and the objectification of the body; and the intersecting issues of mechanical reproduction, authorship, and authenticity in modern and postmodern discourses. Cross-list: SWGS 365. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 366 - STUDIES IN AMERICAN ART FROM THE 1920S TO THE 1960S

HART 366 - STUDIES IN AMERICAN ART FROM THE 1920S TO THE 1960S Credits: 3 This course will examine a range of topics in American and European art from the 1920s to the 1960s. Our subjects will include the machine aesthetic, cultural nationalism, social realist and regionalist practice, the New York School, and Pop art. Intense methodological reading will accompany visual analysis. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 367 - STUDIES IN MODERN ART FROM THE 1960S TO THE PRESENT

HART 367 - STUDIES IN MODERN ART FROM THE 1960S TO THE PRESENT Credits: 3 This course will examine a range of topics in American and European art from the 1960s to the present. Our subjects will include Pop art, body and performance art, deconstruction, postmodernism, minimalism, and art in the digital age. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 368 - SUBJECTIVITY IN MODERN/POSTMODERN ART

HART 368 - SUBJECTIVITY IN MODERN/POSTMODERN ART Credits: 3 This course examines the intellectual history of subjectivity and its various representations in modernist and postmodernist aesthetics. In particular, we will consider the intersection of subjectivity and desire by examining the ongoing project of human self-creation through aesthetics, ornament, framing devices, technological apparatuses, and other supplementary objects of desire. Cross-list: SWGS 348. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 369 - SEMINAR ON BEAUTY AND FRAGMENTATION IN MODERN ART

HART 369 - SEMINAR ON BEAUTY AND FRAGMENTATION IN MODERN ART Credits: 3 This course will examine literal and symbolic representation of the human body in modern American and European art. Topics addressed will include conceptions on beauty vs. subjective fragmentation; the performative nature of social identity; and art history's long-standing preoccupation with the sensuous equivalency of flesh and paint. Cross-list: SWGS 369, Graduate/Undergraduate Equivalency: HART 569. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 371 - CHINESE PAINTING

HART 371 - CHINESE PAINTING Credits: 3 This course examines Chinese painting from ancient times to the early twentieth century. Issues of examination include themes, styles, and functions of Chinese painting; the interrelationship between paintings and the intended viewers; regionalism; images and words; foreign elements in Chinese painting. Cross-list: ASIA 371. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 372 - CHINESE ART AND VISUAL CULTURE

HART 372 - CHINESE ART AND VISUAL CULTURE Credits: 3 In this course, we will study how various artistic styles developed in historical, social, and cultural contexts from the ancient period to the present day. Through the careful examination of architecture, calligraphy, painting, sculpture, ceramics, bronze, and film, students will gain a deeper understanding of Chinese art and visual culture. Cross-list: ASIA 372, MDST 373, Graduate/Undergraduate Equivalency: HART 572. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 373 - METHODOLOGY SEMINAR: WORD AND IMAGE

HART 373 - METHODOLOGY SEMINAR: WORD AND IMAGE Credits: 3 Art history is the craft of putting images into words. This course explores the question of how words and images intersect in the visual arts. Readings of some key texts on the subject will be followed by a series of case studies concerning specific artistic genres and issues. Topics include: narrative in painting; the frame and the caption; character and face in portraiture; the word as image in calligraphy; and sound and image in film. Through its readings and cases, the course will provide students a focused introduction to art historical theories and methods. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 374 - ART & RELIGION IN CHINA

HART 374 - ART & RELIGION IN CHINA Credits: 3 This introductory course examines the complex relationship between art and religion in China (4th - 19th centuries). Through an analysis of painting, sculpture, cave temples, steles, manuscripts, talismans, illustrated prints, and primary sources, we will explore the visual, religious and cultural dimensions of Buddhism and Daoism, and the fluid nature of Chinese culture. Cross-list: ASIA 374, RELI 374. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

Rice - HART 375 - LATIN AMERICAN ART: INDEPENDENCE TO THE PRESENT

HART 375 - LATIN AMERICAN ART: INDEPENDENCE TO THE PRESENT Credits: 3 This course studies the work of leading visual artists working in Latin America during the 19th and 20th centuries. The range and diversity of Latin American art will be emphasized and work in a variety of media will be explored, including mural painting, easel painting, architecture, prints, sculpture, photography, film, installations, and conceptual art. The work will be discussed in terms of contextual historical, political, social, and cultural developments. College: School of Humanities Department: History of Art
Score: 5.409765 Details | Listing | Web page

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