ENST 437 - ENERGY ECONOMICS Credits: 3 Discussion of key aspects in the supply and demand of energy. Topics include optimal extraction of depletable resources, transportation, storage, end-use and efficiency, and the relationship between economic activity, energy, and the environment. Cross-list: ECON 437. College: School of Natural Sciences Department: Environment Studies
Score: 5.409765 Details | Listing | Web page
ENST 441 - COMMON PROPERTY RESOURCES Credits: 3 Common Property Resources (CPRs), such as fisheries, aquifiers, and the Internet, appear in many guises and pose a fundamental problem for governing. Exploration of theoretical underpinnings for CPRs, their growing literature, and the political and economic institutions mediating CPR dilemmas. Included is an original research project in conjunction with the instructor. Cross-list: POLI 441. College: School of Natural Sciences Department: Environment Studies
Score: 5.409765 Details | Listing | Web page
ENST 480 - ENVIRONMENTAL AND ENERGY ECONOMICS Credits: 3 The economic theories of externalities and common property resources are used to analyze how markets, legal institutions, regulations, taxes and subsidies, and voluntary activity can affect the supply of environmental amenities, such as clean air, clean water, and wilderness areas. We also discuss methods for determining the demand for environmental amenities. Cross-list: ECON 480. College: School of Natural Sciences Department: Environment Studies
Score: 5.409765 Details | Listing | Web page
ENST 490 - SPECIAL STUDY & RESEARCH Credits: Hours Variable Open to environmental science or engineering majors with permission of instructor. Written report required. Crosslisted with CEVE 490. Instructor permission required College: School of Natural Sciences Department: Environment Studies
Score: 5.409765 Details | Listing | Web page
ENST 646 - ADVANCED TOPICS IN BIOMEDICAL ANTHROPOLOGY Credits: 3 Seminar on contemporary research on the biomedical aspects of human health and disease. Includes topics from medical ecology and epidemiology. Cross-list: ANTH 646. College: School of Natural Sciences Department: Environment Studies
Score: 5.409765 Details | Listing | Web page
FILM 225 - INTRODUCTION TO FILMMAKING AND EDITING Credits: 3 This course introduces the student to filmmaking in general through specific techniques of digital video production. The emphasis in this class will be the medium as a means of effective storytelling through the craft of filmmaking. All aspects of production will be discussed, including preproduction and postproduction. Core topics will include the basic principles and operation of digital video cameras, lighting instruments, and audio recording gear; concepts and practical use of nonlinear digital editing gear, planning and scripting using applications of various filmmaking techniques; and delivery of a finished project. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 273 - INTRODUCTION TO FILM: FILM CRITICISM Credits: 4 A writing-intensive course that teaches students to view films analytically and to write film criticism. Each week, students will view a film, read criticism of that film, and write their own review of the film. Screenings will be taken from important movements in world cinema history. Cross-list: ENGL 275, HART 285. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 280 - HISTORY & AESTHETICS OF FILM Credits: 4 Introduction to the art and aesthetics of film as an artifact produced within certain social contexts. Includes style, narrative, mise-en-scene, editing, sound, and ideology in classical Hollywood cinema, as well as in independent, alternative, nonfiction, and Third World cinemas. Cross-list: ARTS 280, HART 280. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 284 - NONFICTION FILM Credits: 4 Introduction to the history and aesthetics of nonfiction film as both a social artifact and as a work of art. Includes discussions of actualities, the city film, the social documentary, surrealist cinema, propaganda, ethnography, the essay film, and the contemporary nonfiction film from around the world. Cross-list: HART 284. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 296 - SPECIAL PROBLEMS IN FILM &VIDEOTAPE MAKING Credits: Hours Variable Study of problems in film and film production. Topics may vary. Please consult with the department for additional information. May be used in awarding transfer credit. Prerequisite: permission of instructor. Instructor permission required College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 327 - DOCUMENTARY PRODUCTION Credits: 3 Study of the expressive possibilities of documentary production using digital systems. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 327. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 328 - FILMMAKING I Credits: 3 Dramatic film production class that requires the making of one digital video and one 16mm film. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 328. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 329 - FILM FORM Credits: 3 Viewing, analysis, and discussion of modern and classic films. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 329. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 336 - CINEMA AND THE CITY Credits: 3 This class explores representations of the city in 20th century European and American cinema, considering such diverse films as Dziga Vertov's "Man with the Movie Camera," Jules Dassin's "The Naked City," Fritz Lang's "M," and Tom Tykwer's "Run Lola Run." Central concerns will include the city as cinematic protagonist, parallels between urban and cinematic space, and the intertwined histories of both film and urban design over the last century. Cross-list: HART 336. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 337 - HISTORY OF RUSSINA CINEMA Credits: 3 This class surveys the history of Russian/Soviet cinema from the beginning of the 20th century to the present. We will examine films as part of the broader political and social history of this period, paying particular attention to such issues as aesthetics and politics, entertainment and propaganda, history and memory, and gender and sexuality. Cross-list: HART 337. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 373 - SURVEY OF AMERICAN FILM AND CULTURE Credits: 4 Course URL: http://www.english.rice.edu A course that explores the history of cinema in the U.S. from its origins to the present day. Cross-list: ENGL 373, HART 380. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 382 - MODALITIES OF CINEMA Credits: 3 In this course we will survey the range of organizing principles of cinema- the differing and combative ways cinema arranges its images and sounds. We will look at classicism, modernism, postmodernism and many other modes. The films will range from early silent pictures, to experimental shorts, to commercial blockbusters. Cross-list: HART 382. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 383 - GLOBAL CINEMA Credits: 4 This course introduces students to cinema as a global enterprise. It explores the relationship between nations, identities, races, concepts, and genres. It inquires into the question of globalization as it relates to the motion picture audience, corporations, and the commerce of ideas. Cross-list: HART 383. Instructor permission required College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 387 - INTRODUCTION TO EXPERIMENTAL VIDEO AND INSTALLATION ART Credits: 3 Learn to create unique experiences by sculpting time and space. With an emphasis on production and practice, this course introduces students to installation art and non-traditional, experimental uses of video, including non-linear narrative, experimental documentary, and video art. Students will learn the basic tools and techniques of digital video production and work with a wide range of materials and media to create installation works on the Rice campus. Students will also be asked to engage and experiment with the visual language of video by working to complete a number of short projects that will be critiqued in class. In addition to short reading and writing assignments, we will look at a variety of video art and installation works from the 1960s to the present. Cross-list: ARTS 387. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 388 - FILM MELODRAMA Credits: 4 This class surveys major developments in European cinema from the late 1940s to the late 1960s. Our study will include such movements as Italian Neorealism, German Rubble Films, French New Wave, and Soviet cinema in the Thaw. Particular attention will be paid to such issues as cinema and post-war reconstruction, memory and nation, and body and space. Crosslisted with HART 388. Cross-list: HART 388. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 389 - FILM MELODRAMA Credits: 3 Melodrama - the genre of tears, sensationalism and excess - has long been the focus of critical debates. Initially dismissed as mere escapism, melodrama films have begun to generate nuanced studies about their engagement with issues of gender, sexuality, class, and race. This seminar examines aesthetic, socio-political, and psychological dimensions of film melodrama, including historical works by Vidor, Sirk, Godard, and Fassbinder, as well as more recent projects by Haynes and Almodovar. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 396 - SPECIAL PROBLEMS IN FILM & VIDEOTAPE MAKING Credits: Hours Variable Study of problems in film and film production. Topics may vary. Please consult with the department for additional information. May be used in awarding transfer credit. Prerequisite: permission of instructor. Instructor permission required College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 427 - ADVANCED FILMMAKING Credits: 3 Advanced documentary production using digital camera and editing systems. Continuation of FILM 327. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 427. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 428 - FILMMAKING II Credits: 3 Completion of one major film project by each student, using either video or 16mm film. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 428. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
FILM 432 - FILM GENRE: THE WESTERN Credits: 3 Survey of the essential American film experience spanning all the years of U.S. cinema, with emphasis on the western and its mythic function in society. Space in studio classes is limited. Registration does not guarantee a place in class. The class roster is formulated on the first day of class by the individual instructor. Cross-list: ARTS 432. College: School of Humanities Department: Film
Score: 5.409765 Details | Listing | Web page
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