Searching the World's top universities for courses with:

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Stanford (X)
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true *,score on 1 0 source:"Stanford" AND 2.2 25
Total results: 1609

Stanford - Estimation and Control Methods for Applied Physics

Recursive filtering, parameter estimation, and feedback control methods based on linear and nonlinear state-space modeling. Topics in: dynamical systems theory; practical overview of stochastic differential equations; model reduction; and tradeoffs among performance, complexity, and robustness. Numerical implementations in MATLAB. Contemporary applications in systems biology and quantum precision measurement. Prerequisites: linear algebra and ordinary differential equations.
Score: 6.4975524 Details | Listing | Web page

Stanford - Probing the Nanoscale

Theory, operation, and applications of nanoprobes of interest in physics and materials science. Lectures by experts. Topics include scanning tunneling microscopy, spectroscopy, and potentiometry; atomic manipulation; scanning magnetic sensors and magnetic resonance; scanning field-effect gates; scanning force probes; and ultra-near-field optical scanning.
Score: 6.4975524 Details | Listing | Web page

Stanford - Introduction to Accelerator Physics

Physics of particle beams in linear and circular accelerators. Transverse beam dynamics, acceleration, longitudinal beam dynamics, synchrotron radiation, collective instabilities, and nonlinear effects. Topics of current research in accelerator physics.
Score: 6.4975524 Details | Listing | Web page

Stanford - Archaeology and Ancient Technology: How Things Were Made

Sum (Hunt)
Score: 6.4975524 Details | Listing | Web page

Stanford - Archaeogenetics (ARCHLGY 309)

The application of human genetic studies to the interpretation of archaeological data. Focus is on the transition to the Neolithic; attention to more recent case studies pertinent to historic anthropology. Topics include: the social construction of race and ethnicity; colonialist abuses of genetic theories and data; the Neolithic transition to agropastoralism in the Near East, Europe, and N.E. Africa; Greek and Phoenician colonies in the Mediterranean; the Bantu expansion; the Atlantic slave trade and the African diaspora; expansion of agriculture in E. Asia, and the peopling of Oceania and the Americas.
Score: 6.4975524 Details | Listing | Web page

Stanford - The Archaeology of Ancient China (ARCHLGY 104C)

Early China from the perspective of material remains unearthed from archaeological sites; the development of Chinese culture from early hominid occupation nearly 2 million years ago through the development of agriculture in the Neolithic period and complex society in the Bronze Age to the political unification of China under the Qin Dynasty. Continuity of Chinese culture from past to present, history of Chinese archaeology, relationships between archaeology and politics, and food in early China.
Score: 6.4975524 Details | Listing | Web page

Stanford - Introduction to the History of Architecture

From antiquity to the 20th century, mostly Western with some non-Western topics. Buildings and general principles relevant to the study of architecture.
Score: 6.4975524 Details | Listing | Web page

Stanford - Western Art: Renaissance to Modern (ARTHIST 313)

Currents of western European and N. American art from the Renaissance, baroque, rococo, neoclassical, romantic, and modern periods. Major works of painting, sculpture and architecture analyzed within their historical, sociopolitical, theological and cultural contexts; the evolution of styles and techniques. Masters examined in detail include Giotto, Brunelleschi, Masaccio, Van Eyck, Da Vinci, Michelangelo, Dürer, Caravaggio, Bernini, Rembrandt, Vermeer, David, Delacroix, and Monet.
Score: 6.4975524 Details | Listing | Web page

Stanford - American Art and Culture, 1528-1860 (ARTHIST 332)

The visual arts and literature of the U.S. from the beginnings of European exploration to the Civil War. Focus is on questions of power and its relation to culture from early Spanish exploration to the rise of the middle classes. Cabeza de Vaca, Benjamin Franklin, John Singleton Copley, Phillis Wheatley, Charles Willson Peale, Emerson, Hudson River School, American Genre painters, Melville, Hawthorne and others.
Score: 6.4975524 Details | Listing | Web page

Stanford - Photography and Its Histories (ARTHIST 358B)

Photography as a family of technologies and a range of cultural practices from 1839 to the present. The medium's diverse social uses, its integration with everyday experience, and its complex relationships to the history of art and the history of modernity. Topics drawn from fields including science, politics, sociology, journalism, medicine, and art, with emphasis throughout on how the varying functions and contexts for the photograph allow us to understand its dual status as picture and trace.
Score: 6.4975524 Details | Listing | Web page

Stanford - Arts of War and Peace: Late Medieval and Early Modern Japan, 1500-1868 (ARTHIST 387, JAPANGEN 87)

Narratives of conflict, pacification, orthodoxy, nostalgia, and novelty through visual culture during the change of episteme from late medieval to early modern, 16th through early 19th centuries. The rhetorical messages of castles, teahouses, gardens, ceramics, paintings, and prints; the influence of Dutch and Chinese visuality; transformation in the roles of art and artist; tensions between the old and the new leading to the modernization of Japan.
Score: 6.4975524 Details | Listing | Web page

Stanford - Chardin and Watteau: An Aesthetics of Touch

These 18th-century painters preferred everyday life subjects, still-lifes, and landscape; Watteau invented the fête galante as a new picture type. Common to their work is attention to the materials of art: surfaces, textures, and glazes of paint; graphic range of chalk, ink, and pencil; an objectness that signals the artist's creative presence. Readings in contemporary theory and historical criticism frame an aesthetics of touch at odds with the eye-centered bias of Academic theory. Student presentations. Recommended: 121.
Score: 6.4975524 Details | Listing | Web page

Stanford - Critical Race Art History

Primer for the comparative study of the representation of race in Western art. Whiteness, a construction that has been dependent upon blackness and alterity from its beginnings. Stereotyped ethnicities, nationalities, and territories, such as the Red Indian, the Jew, and Orientalism. Style as an image making strategy shaped by patronage and reception.
Score: 6.4975524 Details | Listing | Web page

Stanford - Mapping Africa: Cartography and Architecture

Visual forms of spatial representation of Africa and implications for understanding the cultures they depict. Examples include early Renaissance cartography and written accounts by explorers, travelers, geographers, and missionaries. African concepts of design, meaning in architecture, and spatial solutions. Case studies of African models.
Score: 6.4975524 Details | Listing | Web page

Stanford - Introduction to Medieval Art (ARTHIST 105)

Chronological survey of Byzantine, Islamic, and Western Medieval art and architecture from the early Christian period to the Gothic age. Broad art-historical developments and more detailed examinations of individual monuments and works of art. Topics include devotional art, court and monastic culture, relics and the cult of saints, pilgrimage and crusades, and the rise of cities and cathedrals.
Score: 6.4975524 Details | Listing | Web page

Stanford - Titian, Veronese, Tintoretto (ARTHIST 118)

The course addresses the ways in which Venetian painters of the sixteenth century redefined paradigms of color, disegno, and invention. Themes to be examined include civic piety, new kinds of mythological painting, the intersection between naturalism and eroticism, and the relationship between art and rituals of church and statecraft.
Score: 6.4975524 Details | Listing | Web page

Stanford - American Architecture (ARTHIST 143A)

A historically based understanding of what defines American architecture. What makes American architecture American, beginning with indigenous structures of pre-Columbian America. Materials, structure, and form in the changing American context. How these ideas are being transformed in today's globalized world.
Score: 6.4975524 Details | Listing | Web page

Stanford - Issues in Contemporary Art (ARTHIST 173)

Major figures, themes, and movements of contemporary art from the 80s to the present. Readings on the neo-avant garde; postmodernism; art and identity politics; new media and technology; globalization and participatory aesthetics. Prerequisite: ARTHIST 155, or equivalent with consent of instructor.
Score: 6.4975524 Details | Listing | Web page

Stanford - Introduction to African Art (ARTHIST 192)

Form, space, media, medium, and visual expression in African art. Rock art to contemporary art production. Majors works and art expression in terms of function and historical context.
Score: 6.4975524 Details | Listing | Web page

Stanford - Modernity and 19th-Century Visual Culture

The relationship between visuality and modernity; the privileged role played by seeing. Sources include paintings and literary texts organized around questions of perception. Topics include: visuality and the public sphere; landscape and depoliticized speech; genre and hegemony; race and identity; post-liberal and postmodern culture.
Score: 6.4975524 Details | Listing | Web page

Stanford - Media and Intermedia

(Lee)
Score: 6.4975524 Details | Listing | Web page

Stanford - Numerical Methods in Fluid Mechanics

Principles underlying the Navier-Stokes equations. Relations between time-accurate and relaxation methods. Implicit and explicit methods combined with flux splitting and space factorization. Considerations of accuracy, stability of numerical methods, and programming complexity. Prerequisites: linear algebra and CME 200, 204, or equivalents with consent of instructor.
Score: 6.4975524 Details | Listing | Web page

Stanford - Spacecraft Design Laboratory

Continuation of the 236A,B,C. Emphasis is on practical application of systems engineering to the life cycle program of spacecraft design, testing, launching, and operations. Prerequisites: 236A and consent of instructor.
Score: 6.4975524 Details | Listing | Web page

Stanford - Modern Dynamics

Vector fields on manifolds. Curvilinear coordinate transforms. Tensor calculus. Lagrangian and Hamiltonian systems. Symmetry groups and conservation laws. Holonomic and non-holonomic constraints. Unilateral constraints and contact. Invariant structures in phase space. Linearized dynamics. Linear and nonlinear stability. Prerequisite: 242A.
Score: 6.4975524 Details | Listing | Web page

Stanford - Dynamics and Control of Spacecraft and Aircraft

The dynamic behavior of aircraft and spacecraft, and the design of automatic control systems for them. For aircraft: non-linear and linearized longitudinal and lateral dynamics; linearized aerodynamics; natural modes of motion; autopilot design to enhance stability, control the flight path, and perform automatic landings. For spacecraft in orbit: natural longitudinal and lateral dynamic behavior and the design of attitude control systems. Prerequisites: AA242A, ENGR 105.
Score: 6.4975524 Details | Listing | Web page

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