Lecture—3 hours; term paper. Traditional arts of aboriginal Australia, Melanesia, Polynesia, and Micronesia, as seen in their cultural contexts. Prehistoric art of Europe and the Near East. GE credit: ArtHum, Div.
Score: 5.095391 Details | Listing | Web page
Lecture/discussion—3 hours; term paper. Representation of the cultural identities of indigenous and migrant groups of the Pacific in visual arts and storytelling. Offered in alternate years. GE credit: ArtHum, Div, Wrt.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hour; term paper. Prerequisite: course 1E recommended. Introduction to the urban history of the Islamic world. Includes critical study of the historiography of the Islamic city, development of urban form, institutions and rituals, and analysis of selected themes. GE Credit: ArtHum, Div, Wrt.—(II.) Watenpaugh
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. A survey from the beginning to the twelfth century focusing on the major art forms that are traditionally known as well as newly discovered through archaeology in China. GE credit: ArtHum, Div, Wrt.—(II.) Burnett
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. The unique form of ink painting, with or without colors, depicting human and animal figures, flowers-and-birds, and landscape—the favorite and enduring theme of the Chinese scholar-painter. GE credit: ArtHum, Div, Wrt.—Burnett
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper. Prerequisite: course 1D or upper division standing. Analysis of the interaction between art and politics in the emergence of China into the modern world. Integration of Western influence, implementation of Mao Zedong’s thought on art, and the formation of contemporary Chinese painting. GE credit: ArtHum, Div, Wrt.—Burnett
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper. Prerequisite: course 163B or consent of instructor. Variable topics in Chinese art history during the 17th-19th centuries, considering artists’ statements (visual and textual) within their historical contexts, asking what was at stake in the creation of new art forms. May be repeated for credit with consent of instructor. GE credit: ArtHum, Wrt, Div.—II. Burnett
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper and/or gallery studies and review (determined by instructor each quarter course offered). Study of the significant achievements in architecture, painting, sculpture, and decorative arts from prehistoric age to nineteenth century. GE credit: ArtHum, Div, Wrt.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper. Transformation in architecture and urban form in Paris, London, and Vienna in the context of varying social, political, and economic systems as well as very different cultural traditions, concentrating on the years 1830-1914. Offered in alternate years. GE credit: ArtHum, Wrt.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper. Examination of the origin and development of the major monuments of Greek art and architecture from the eighth century to the mid-fifth century B.C. Not open for credit to students who have completed course 154A. (Same course as Classics 172A.) Offered in alternate years. GE credit: ArtHum, Wrt.—II. Roller
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper. Study of the art and architecture of later Classical and Hellenistic Greece, from the mid-fifth century to the first century B.C. Not open for credit to students who have completed course 154B. (Same course as Classics 172B.) Offered in alternate years. GE credit: ArtHum, Wrt.—II. Roller
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper. The art and architecture of Rome and the Roman Empire, from the founding of Rome through the fourth century C.E. Not open for credit to students who have completed course 155. (Same course as Classics 173.) Offered in alternate years. GE credit: ArtHum, Wrt.—III. Roller
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; extensive writing. Prerequisite: a lower division Classics course (except 30, 31); course 1A recommended. Architecture and urban development in the ancient Near East, Greece, and Rome. Special emphasis on the social structure of the ancient city as expressed in its architecture, and on the interaction between local traditions and the impact of Greco-Roman urbanism. (Same course as Classics 175.) Offered in alternate years. GE Credit: ArtHum, Div, Wrt.—(II.) Roller
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. Painting, sculpture and architecture of the early Christian era and Byzantine Empire: through the later Roman Empire in the West and to the final capture of Constantinople in the East. GE credit: ArtHum, Wrt.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. Painting, sculpture and architecture of western Europe in the early medieval era: from the rise of the barbarian kingdoms through the twelfth century. GE credit: ArtHum, Wrt.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. Painting, sculpture and architecture in northern Europe from the twelfth through the fifteenth centuries.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. Painting and sculpture of the fifteenth century in Austria, Germany, France and the Lowlands, including such artists as Jan van Eyck and Hieronymus Bosch. GE credit: ArtHum, Wrt.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. Painting and sculpture of the sixteenth century in Germany, France and the Lowlands, including such artists as Albrecht Dürer and Pieter Bruegel. GE credit: ArtHum, Wrt.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. Giotto and the origins of the Renaissance; painting and sculpture in Italy from Nicola Pisano through Lorenzo Monaco, with emphasis on Duccio, Giotto, and other leading artists of the early fourteenth century. GE credit: ArtHum, Wrt.—Ruda
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. Early Renaissance in Florence; fifteenth-century artists from Donatello and Masaccio through Botticelli, in their artistic and cultural setting. GE credit: ArtHum, Wrt.—Ruda
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. The High Renaissance: Leonardo, Michelangelo, Raphael, and Titian in their artistic and cultural settings—Florence, Rome, and Venice in the early sixteenth century. GE credit: ArtHum, Wrt.—I. (III.) Ruda
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper or gallery studies and review. Seventeenth-century painting, including such artists as Caravaggio, Rubens, Rembrandt, and Velázquez. Offered in alternate years. GE credit: ArtHum, Wrt.—(I.) Ruda
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper. Prerequisite: course 1C recommended. British painting in relation to the position of women in society and the rise of the middle-class art market. Topics include Hogarth and popular culture, Queen Victoria and the female gaze, and Pre-Raphaelite artists and collectors. Not offered every year. GE credit: ArtHum, Wrt.—III.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; term paper. Prerequisite: course 1C recommended. Emergence of modernism in Europe from the late 18th century to the middle of the 19th century. Major artistic events viewed against a revolutionary backdrop of changing attitudes toward identity, race, and gender. Not offered every year. GE credit: ArtHum.—II.
Score: 5.095391 Details | Listing | Web page
Lecture—3 hours; discussion—1 hour. Prerequisite: course 1C recommended. Innovations of Impressionists, Post-Impressionists, and Symbolists in relation to social changes. Assessment of role of dealers and critics, myth of the artist-genius, and gender relations in French art and culture of the late 1800s. GE credit: ArtHum, Div, Wrt.—II. (II.)
Score: 5.095391 Details | Listing | Web page
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