(Cross-listed with ICAM 150.) Aims to provide historical context for computer arts by examining the interaction between the arts, media technologies, and sciences in different historical periods. Topics vary (e.g., Renaissance perspective, futurism and technology, and computer art of the 1950s and 1960s).
Score: 5.4045453 Details | Listing | Web page
Introduction to the aesthetic problems in photography. Both historical and contemporary art practices will be examined. Students will create photo pieces to engage these conceptual issues. Materials fee required.
Score: 5.4045453 Details | Listing | Web page
An intermediate course designed to teach students to develop fiber-based black and white printing skills, to introduce the fundamentals of digital photography, and to address the issues of text in relation to image in art practice. Materials fee required.
Score: 5.4045453 Details | Listing | Web page
Advanced-level course working with refined techniques in traditional and digital photographic art practices. The student will also be instructed in the development of a portfolio for use in post-graduation career development. Materials fee required (photo lab).
Score: 5.4045453 Details | Listing | Web page
This course will explore the use of photography to examine social issues. Working in both the documentary and fictional modes, students will produce projects on social concerns to present for critical feedback in class.
Score: 5.4045453 Details | Listing | Web page
Instruction in color photography and printing. Lectures on theory and demonstration in shooting and printing color negatives. Materials fee required.
Score: 5.4045453 Details | Listing | Web page
A digital image is not a film image, and this reality and its technological and conceptual implications are what this course will attempt to map out, exploring its possibilities and the massive overhaul of media aesthetics it implies.
Score: 5.4045453 Details | Listing | Web page
Video medium used both as production technology and as device to explore the fundamental character of film-making and time-based computer art practices. Students perform all aspects of production with attention to developing ideas and building analytical/critical skills.
Score: 5.4045453 Details | Listing | Web page
The evolving aims and grammars of editing practice in film and digital media will be examined. These histories will create a context for exploring contemporary editing strategies. The production projects will be centered on digital editing practice.
Score: 5.4045453 Details | Listing | Web page
A technical foundation and creative theoretical context for film production will be provided. Students will produce a short film with post-synchronized sounds and final mixed-track.
Score: 5.4045453 Details | Listing | Web page
Script writing, reading, and analysis of traditional and experimental media productions. The emphasis will be on the structural character of the scripting process and its language. Students will write several short scripts along with analytical papers.
Score: 5.4045453 Details | Listing | Web page
Sound design plays an increasing role in media production and has opened up new structural possibilities for narrative strategies. A critical and historical review of sound design and a production methodology component. Critical papers and soundtracks for short film projects will be required.
Score: 5.4045453 Details | Listing | Web page
Exploration of concepts in representational artworks by critically examining “found” vs. “made” recorded material. Advanced film/video, photography, computing work. Issues of narrative and structure; attention to formal aspects of media work emphasized. Cannot be taken same quarter as VIS 180B.
Score: 5.4045453 Details | Listing | Web page
Exploration of choices in invention, emphasizing “made” over “found.” Advanced film/video, photography, and computing. Issues of narrative and structure, and formal aspects of media work emphasized. Cannot be taken same quarter as VIS 180A.
Score: 5.4045453 Details | Listing | Web page
Advanced course to gain sophisticated control of lighting and sound recording techniques with understanding of theoretical implications and interrelation between production values and subject matter. Interactions between sound and image in various works in film, video, or installation.
Score: 5.4045453 Details | Listing | Web page
Film/video editing and problems of editing from theoretical and practical points-of-view. Films and tapes analyzed on a frame-by-frame, shot-by-shot basis. Edit stock material and generate own materials for editing final project. Aesthetic and technical similarities/differences of film/video.
Score: 5.4045453 Details | Listing | Web page
Looks at the way that self-identity is reflected and produced through various media practices. Focus is on rhetorical strategies of biography and autobiography in media, comparing and contrasting these strategies with those drawn from related cultural forms. Cannot be taken the same quarter as VIS 183B.
Score: 5.4045453 Details | Listing | Web page
Looks at difference as it is reflected and constructed in various media practices. Course will examine a wide range of forms and genres such as ethnography, science fiction, crime narratives, documentary film, political drama, and animated shorts. Cannot be taken same quarter as VIS 183A.
Score: 5.4045453 Details | Listing | Web page
Film/video production will be framed through the script writing process, focusing on the problems of longer duration, density, and adaptation from other media. Students will both read and analyze both historical and contemporary scripts and produce a thirty- to sixty-minute script.
Score: 5.4045453 Details | Listing | Web page
This course will explore the path of the deliberately “unreal” in movies. Fantasy in film will be considered both in terms of its psychological manifestations and also in terms of imaginary worlds created in such willfully anti-realistic genres as science-fiction, horror, and musical films. Materials fee required.
Score: 5.4045453 Details | Listing | Web page
Directed group study on a topic or in a group field not included in regular department curriculum, by special arrangement with a faculty member.
Score: 5.4045453 Details | Listing | Web page
Independent reading, research, or creative work under direction of a faculty member.
Score: 5.4045453 Details | Listing | Web page
(Cross-listed with MUS 170.) An introduction to the acoustics of music with particular emphasis on contemporary digital techniques for understanding and manipulating sound.
Score: 5.4045453 Details | Listing | Web page
Designed around the presentations by visiting artists, critics, and scientists involved with contemporary issues related to computer arts. Lectures by the instructor and contextual readings provide background material for the visitor presentations.
Score: 5.4045453 Details | Listing | Web page
Students create virtual reality artworks. Projects may be done individually or in groups. Exploration of theoretical issues involved will underlie acquisition of techniques utilized in the construction of virtual realities. Materials fee required.
Score: 5.4045453 Details | Listing | Web page
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